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Author Archives: Chris

My present
of composing’s
involved with the
of imperfections in the paper
on which I happen
to be

– John Cage (Silence, 1961)

4’33” (Reflection of NeuCage) | download

. . . advice = L.L.L.oud! . . .

Its time to practice writing got to practice to perfect a literary (read: acceptable [read: able to be analyzed] ) style of marking words down words down words down in sufficient order maybe a sentence is just a chronological list based on a language based on translation of an idea from some nonlinguistic space place in the mind maybe a language you can understand is one that fits the proper time dimension in yr mind & time traveling is as easy as translating this sentence into spanish the adjectives begin to arrive after the nouns the nouns after the nouns after the nouns after nouns the after nouns the nouns after the nouns are moving faster in time |.now.|

But what i meant to say was its time to practice writing by choosing something nearby & jotting down phrases & meaningless rhyming couplets or nearly rhyming quintuplets something or maybe anything abt or not exactly but metaphorically related to that thing i chose just a minute ago to quote write abt unquote i might hint at its color reminding me of childhood family trips & then slowly move towards how i could never relate to the phrase ‘family trip’ bc on tv movies books or even bill hicks records a family trip meant brothers & sisters & moms & dads & it was just me & mom & dad so id always just say me & mom & dad & thats who was on the trip not the ‘family’ but i wouldnt really say all that id just hint at it by mentioning the color of the thing (you remember the thing from earlier, right?) the thing’s color & maybe shape & where it is relative to others like it nearby or not so nearby maybe maybe! i could pick it up & hold it reminisce abt other things (like it or otherwise) that ive held, not everything of course bc that would go on for a long time or maybe it wouldnt, which would also be of note, & i could write abt all of the things not like this thing that i am holding that i wish i had, or in literary terms, regret having not held which to some readers might seem as overkill or excessive & in fact may seem like a cheap means of getting to the modern standard autobiographical poetic sorry-for-ourselves style many have become accustomed to in these new-millenium or even some may call it (excuse my vague politcs:) post-nine-eleven (ah! for shame!) times in which we live but lets get back to the thing eventually i would choose to put it down & certainly that would call for a simple one or two lines somehow indicating that i, the writer, & you, the reader, are now to recall times in the past or even, and likely even more sorrowful, in the future (near or distant, not that it matters much but it is relevant, i think we can all agree) that we have or will have to let go of something or someone in infinite degrees of importance, & i would likely find a way to show that really this letting go (or moving on, or even abandoning, if you will) is what is important at least for me, the writer, not so much the level of emotional (or otherwise) importance & although its quite important in the long run, for the sake of this piece of writing it would be made distinctly separate for the purpose of indicating whatever the final meaning may eventually turn out to be

Well no, i guess what i should have said was its time now to practice writing abt that lone solemn stone, wise amongst its neighbors a fading once deep red like a myrtle beach sunset, although really the sunsets better down on floridas gulf coast walking in & out of in & out of walking in & out of floridas gulf coast walking in & out of floridas gulf coast walking in & out of the surf wishing i could stay one or eight steps away from my parents man im such a nerd out here tossing each fresh smooth youthfulness out to the ocean skipping twice maybe three times crap that was a good one i should have grabbed it (instead?)

The Laurence Rassel Show, cover image

The Hurdle

    The first major hurdle one encounters when preparing to write about The Laurence Rassel Show is as follows: How does the author of any reasonable critique appropriately review the work in question while properly maneuvering around the fact that one of the main themes within the work being critiqued is the fetishization of the entire concept of authorship to begin with?

Let me take a step back…

    The Laurence Rassel Show is the newest audio release from Public Record, an internet-based record label founded by the activist art organization, Ultra-red. Specifically, The Laurence Rassel Show is a collaboration between cyberfeminist Laurence Rassel and musician/trans-activist Terre Thaemlitz, both, arguably, well-known and un-known masters of their respective fields.

Let me take another step back…

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